I grew up on a small family farm in rural Yakima, Washington. My family is very musical and it was part of our family culture to sing, dance, act and perform together. One of my earliest childhood memories is being in costume on stage with my siblings, held in my father’s arms. I learned to sing, play the piano, the organ, the cello and the flute (yay, marching band in high school!). After studying music and dance in college, I moved to Georgia where I began teaching voice lessons. Twenty-eight years later, my love of music and teaching has only increased.
As a young singer, I was classically trained and feel that this training gave me a great foundation. However, I needed more contemporary training as I found myself drawn to musical theatre styles. I have studied numerous vocal techniques over the last three decades and I find value in each one of those techniques. When a singer is facing a specific block or challenge, I can draw on those things that I’ve learned from any of those techniques and communicate the new strategy to the singer in a way that is easy to understand. Studying these various approaches to the human voice has helped me become a more dynamic and flexible teacher, adapting to the needs of each singer.
Over the years, I have served on several boards of teacher organizations where I help hone the standards and practices for voice teachers around the world. I’ve been honored to teach and mentor hundreds of other voice teachers in their own quest for better teaching strategies. I’ve taught in Spain, Uruguay, Malta, China, Thailand, Ukraine, The Czech Republic, Ireland, England, Mexico, Canada, Brazil and Morocco.
In an effort to offer the best and most relevant information to my clients, I constantly train and study. Traveling to voice conferences, reading journals and studies and working with other wonderful voice teachers, constantly inspires me and helps me elevate the quality of training I can offer to singers around the world. One of my latest achievements has been studying and becoming a licensed massage therapist. The entire body is the instrument for a singer and being trained as a massage therapist has given me greater understanding of how the voice is affected by all systems of the body. I look at singers in a whole new light since obtaining my massage therapy license. I will frequently incorporate stretching, movement and massage into a lesson in order to help a singer experience the full potential of their voice.